The appeal of the lightweight Love, Simon, though, was in imagining that a gay kid might fall comfortably into a familiar coming-of-age groove: occasionally mortifying, but never actually traumatic. Last year’s absorbing indie drama Beach Rats, for example, portrayed a closeted Brooklyn bro who (spoiler alert) helps his friends mug a guy he meets on a hookup site. This dynamic, of the bullied becoming the bully, is a common one on-screen. In Moonlight, too, the protagonist, Chiron, shrinks himself because of the ever present threat of violence-a threat he eventually pays forward by brutally beating a classmate. The Miseducation of Cameron Post and Boy Erased literalize the way that homophobia can rip people away from the traditional vision of teenagerdom-the backseat make outs, the backwoods keggers-and send them on drab reprogramming missions in which the kids end up policing and punishing themselves. The pulp danger in those films could be seen as almost a fever-dream inversion of the real-world peril facing LGBTQ people. all about the phenomenon of the “gay best friend.” Some female protagonists have flirted with queerness, but many of them merely as part of a larger exploration of delinquency see the deadly troublemakers of Peter Jackson’s 1994 feature, Heavenly Creatures, or of the 1998 thriller Wild Things. Think of Damian in Mean Girls or Blaine in Cruel Intentions: sassy sidekicks so hilarious, and also such clichés, that there was a 2013 comedy called G.B.F. And as supporting players, they’re allowed to be rowdy rather than just prettily pensive. Gay kids have long shown up in mainstream high-school comedy, just not as stars. Of course, that vision is wider than just the five recent films I wrote about. The rambunctious experience of puberty so familiar in film history-from Grease to Sixteen Candles to Lady Bird-has so far not been central to Hollywood’s vision of the queer coming of age. In content and style, these works vary widely, but they share a somewhat reserved, cautious tone as they portray kids coming to understand their homosexuality.
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In this month’s issue of The Atlantic, I wrote about the proliferation of gay teens in recent, widely seen movies: the hit rom-com Love, Simon, the buzzy conversion-therapy dramas Boy Erased and The Miseducation of Cameron Post, and the Best Picture nominee Call Me by Your Name and winner Moonlight. It’s happening in cinema, too-though the films hardly feel like celebrations of liberation. On TV, shows like Riverdale have been extending the work of Glee to make stories about, say, girls asking girls to homecoming into no big deal. Rising stars like Kiyoko, Troye Sivan, and Kim Petras have sung of flighty first love through an LGBTQ lens. “It feels like you’re losing your mind.On this past New Year’s Day, the musician Hayley Kiyoko christened the year to come as “20gayteen.” Her meaning: Queer kids were about to take over pop culture. “I have too much of a compulsion to just keep going,” he says. “ will inhibit every aspect of your life.”Mandel also says he has been late to appointments because of obsessive handwashing, even though he knows he should stop.
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“Touch the doorknob 10 times before you turn it to the left, otherwise somebody’s gonna die,” he says. He admits to often having “negative and dark thoughts,” as well as being overly focused on rituals. It’s mind-boggling.”An additional struggle, according to Mandel, is the way OCD patients convince themselves that their thoughts, no matter how false, are actually real. you get so obsessed with them that you can’t move forward,” he shares.
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I thought my struggle was my normal.”Mandel calls OCD “debilitating.”“What it is is these obtrusive thoughts. “Up until that time, there wasn’t the title. “I didn’t realize until really late in life how important was,” he tells Yahoo Life. Howie Mandel believes that like physical fitness, mental health is a continuous “work in progress.”The 66-year-old host of Canada’s Got Talent has been outspoken about his struggles with obsessive-compulsive disorder (OCD) since reaching his 40s.